Artist: Bence Magyarlaki Title: AT SATURN’S CUSP Venue: Paris-B, Paris Text: Salomé Burstein Photos: Theo Baulig …To be utopia, it is enough that I be a body (Michel Foucault, 1966) The body and architecture are central to Bence Magyarlaki’s practice. Their works encapsulate the tensions within movement, questioning the patriarchal values reflected in our societal …
Describe your studio/work practice From 2020 till March 2024 I had been working as a curator at Kunsthalle Bratislava, where I have been developing the A Plant programme for the last two years. In my actual curatorial praxis I am mostly focused on environmental issues. The aim of the program was to highlight the importance …
Read moreCzech and Slovak Pavilion at the Venice Biennale: An Interview with Curator Lýdia Pribišová
Artists: Aleksandra Liput, Maciej Nowacki Title: You have to be in hell to see heaven Curator: Eleonora Bojanowska Venue: Łęctwo gallery Photos: Szymon Sokołowski “One thing that comes out in myths is that at the bottom of the abyss comes the voice of salvation. The black moment is the moment when the real message of …
Describe your studio/work practice. My curatorial practice is research-based. Accordingly, I don’t always work with artists when producing exhibitions. For a long time, I have been building archives and then activating them through exhibition-making, amongst other modes of presentation. In doing so, I seek to create space for subjects that have previously been overlooked. Generally …
Read moreKosovo Pavilion at the Venice Biennale: An Interview with Curator Erëmirë Krasniqi
Artist: András Király Title: Finestra Venue: Viltin Gallery, Budapest, Hungary Photos: Réka Hegyháti / all images copyright and courtesy of the artist and Viltin Gallery, Budapest ’Now, leaving other things aside, I’ll tell you how I do it when I paint. First of all, where I am to paint, I draw a rectangle of any size I …
Artist: Olbram Pavlíček Title: KORPSEPUNX: Stress Prosthetics Curator: Jiří Sirůček In dialogue with Mikuláš Medek Venue: GMU, Hradec Králové Photos: GMU, Olbram Pavlíček Olbram Pavlíček’s exhibition KORPSEPUNX: Stress Prosthetics at the White Cube of Hradec Králové’s Gallery of Modern Art presents the artist’s latest sculptures, prints, and drawings in which he subversively imitates the design …
Describe your studio/work practice. My practice was for several years parallelly doing solo projects and working in a contemporary art gallery – Novembar Gallery in Belgrade where I worked as a curator and art director. In solo projects, I work mostly with artists whose practice I have followed for years, and with whom I have …
Read moreMontenegro Pavilion at the Venice Biennale: An Interview with Curator Ana Simona
Describe your studio/work practice. I am a curator and researcher based in Athens. My curatorial practice revolves around thematic cycles, each delving into diverse yet interconnected areas of inquiry. At the core of my exploration lies a fascination with the notion of the archive. This involves examining how archives shape our understanding of history, memory, …
Read moreGreek Pavilion at the Venice Biennale: An Interview with Curator Panos Giannikopoulos
Artist: Danai Anesiadou:Title: D POSSESSIONSCurator: Ioli Tzanetaki Venue: EΜΣΤ, Athen Photos: we document art, Paris Tavitian, Lynn Vanden Bossche Danai Anesiadou’s exhibition at EΜΣΤ entitled D POSSESSIONS invites visitors into an allegorical scenography consisting of sculptures, collages, and her own furniture, among others, referencing the rise of political, social and spiritual crises. In an attempt …
Artist: Áron Lődi Curator: Barnabás Zemlényi-Kovács Title: Metallurgia Venue: 1111, Budapest Just like smelting iron ore, the recently crisis-ridden iconic steel plant Dunai Vasmű – during its exactly seventy-year operation – could also smelt into itself the peculiar economic and political history of Hungary, from socialist industrialization through Post-Fordism to the recent reindustrialisation program, from …
Describe your studio/work practice. I’ve created a system for myself, where I need to be in the studio as much as possible. Physical contact with material is important to me. I need to experiment with material, to touch and play around with it. Sometimes it’s almost like a fight, where mostly I’m the loser. Not …
Read moreEstonian Pavilion at the Venice Biennale: An Interview with Artist Edith Karlson
Artist: Tina HrevušováTitle: Unexpected ExistenceVenue: Pragovka Gallery Curator: Tea Záchová Dystopia or the near future? What if we woke up the next day from uneasy dreams and found ourselves transformed in our bed into an exotic insect which you could not yet control or define through other body functions. But you would see many changes …
Describe your studio/work practice. My practice draws on archives and recent developments in art history to influence culture and social movements. I research the history of exhibitions in Poland and the profession of curator. In 2015 I published a book, together with Julia Wielgus “In the frame of the exhibition – interviews with curators” where …
Read morePolish Pavilion at the Venice Biennale: An Interview with Curator Marta Czyż
Artists: Anna Ruth and Stanislav Zábrodský Title: Almost Time For a Bliss Curator: Světlana Malinová and Edita Štrajtová Venue: Studio PRÁM, Prague Photos: Anna Pleslová My tongue sticks to the roof of my mouth. My dry throat calls for attention, this time with greater intensity. I am not even halfway there. My wings are unspeakably …
Artists: Selma Selman, Jasmina Cibic, Šejla KamerićTitle: Her Barbaric LuxuryCurator: Martina Marić RodriguesVenue: Trotoar Gallery, Zagreb If you think you can grasp me, think againmy story flows in more than one directiona delta springing from the riverbedwith its five fingers spread– Adrienne Rich Text by Martina Marić Rodrigues: When Igor Stravinsky’s ballet Le Sacre du …