Explain what you do in 100 words! What do you like about your work? What does it mean to you to be a curator today? I’m a freelance curator based in Ljubljana. One of the most important aspects of my curatorial practice is working collaboratively. I believe it is very important to always work in …
The fast approaching third edition of LJUBLJANA ART WEEKEND will be curated by ETC., an annual magazine committed to showcasing contemporary artistic expressions spanning from the Baltic to the Balkans. The theme of the third issue of the magazine, Selling Out, directly correlates to the overarching theme of Ljubljana Art Weekend. It delves into the …
Pavilion of North Macedonia Describe your studio/work practice. My curatorial practice is based on a direct communication with the artists, almost always from the very essence of formulation of the idea, through discussions, sharing context understanding, explaining different aspects and multilayered approaches on a particular topic, constant following of the production process, or collective selection …
Read moreMacedonian Pavilion at the Venice Biennale: An Interview with Curator Ana Frangovska
Describe your studio/work practice. I don’t have a regular schedule although I try to go to the studio every day. Of course, before deadlines I get to work unfortunately almost around the clock. I share the studio with Șerban Savu who has a fixed schedule, working daily from 10 am to 7 pm. We are …
Read moreRomanian Pavilion at the Venice Biennale: An Interview with Curator Ciprian Mureşan
Describe your studio/work practice. My curatorial practice is research-based. Accordingly, I don’t always work with artists when producing exhibitions. For a long time, I have been building archives and then activating them through exhibition-making, amongst other modes of presentation. In doing so, I seek to create space for subjects that have previously been overlooked. Generally …
Read moreKosovo Pavilion at the Venice Biennale: An Interview with Curator Erëmirë Krasniqi
Describe your studio/work practice. My practice was for several years parallelly doing solo projects and working in a contemporary art gallery – Novembar Gallery in Belgrade where I worked as a curator and art director. In solo projects, I work mostly with artists whose practice I have followed for years, and with whom I have …
Read moreMontenegro Pavilion at the Venice Biennale: An Interview with Curator Ana Simona
Describe your studio/work practice. I am a curator and researcher based in Athens. My curatorial practice revolves around thematic cycles, each delving into diverse yet interconnected areas of inquiry. At the core of my exploration lies a fascination with the notion of the archive. This involves examining how archives shape our understanding of history, memory, …
Read moreGreek Pavilion at the Venice Biennale: An Interview with Curator Panos Giannikopoulos
Describe your studio/work practice. I’ve created a system for myself, where I need to be in the studio as much as possible. Physical contact with material is important to me. I need to experiment with material, to touch and play around with it. Sometimes it’s almost like a fight, where mostly I’m the loser. Not …
Read moreEstonian Pavilion at the Venice Biennale: An Interview with Artist Edith Karlson
Describe your studio/work practice. My practice draws on archives and recent developments in art history to influence culture and social movements. I research the history of exhibitions in Poland and the profession of curator. In 2015 I published a book, together with Julia Wielgus “In the frame of the exhibition – interviews with curators” where …
Read morePolish Pavilion at the Venice Biennale: An Interview with Curator Marta Czyż
Describe your studio/work practice. I’m a curator, feminist theorist and art historian. My curatorial project are often based on collaboration – I enjoy an exchange of ideas and close collaboration. I’m also interested in a critical institutional practice, especially disability theories, in terms of what political demand we can make through a curatorial practice on …
Read moreCzech Pavilion at the Venice Biennale: An Interview with Curator Hana Janečková
What aspects of your cultural background do you draw the most inspiration from? I was born in Romania but grew up in Austria since I was very little, and for the past 17 years I have been living in France. All these cultural environments have had their impact on my development, but generally I feel …
Read moreWhen did you first realize that you could tell stories?- conversation with Maria Szakats
RAD Art Fair is an overdue collaborative initiative that strengthens the core of the Romanian art scene, offers visibility to its artists and galleries, and builds a base for the growth of a healthy national art market over the next decade. Easttopics spoke RAD Art Fair co-directors Catinca Tăbăcaru, owner of Catinca Tăbăcaru Gallery, and …
Read moreHow the first art fair in Romania is bringing the industry together?
PRAGUE ART WEEK is an open platform for the cooperation of the most important institutions in the Prague art scene and an annual art festival with the aim of connecting galleries, museums, exhibition halls, as well as art collections and other art-oriented organizations. The vision of PRAGUE ART WEEK is to make Prague stand out …
The 28th STRABAG Artaward International has just announced the winning artists. The award, which focuses on painting and drawing, is one of the country’s most highly endowed private art prizes. Initially limited to Austrian artists, it expanded in 2009 to include international participants. The prize consists of a main prize and four recognition awards, totalling …
