Interview with Ewa Chomicka and Jolanta Woszczenko, curators of the Polish Pavilion

At the 61st Venice Biennale, the Polish Pavilion’s Liquid Tongues explores alternative forms of communication, collective listening, and coexistence across human and more-than-human worlds. In conversation with curators Ewa Chomicka and Jolanta Woszczenko, we discussed Deaf culture, underwater communication, geopolitical realities, and the political potential of attentiveness itself. Moving between activism and poetic immersion, the …

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Interview with Adelina Luft, curator of the Moldova Pavilion

Adelina Luft sees the first-ever Moldova Pavilion at the 61st Venice Biennale not simply as a national debut, but as a political and emotional act of resistance. In conversation with us, the curator reflects on Pavel Brăila’s On the Thousand and Second Night—an installation staged inside Venice’s Santa Veneranda chapel that confronts war, territorial violence, …

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An Interview with Małgorzata Ludwisiak, curator of the Albanian Pavilion

This interview with the Albanian Pavilion’s curator, Małgorzata Ludwisiak, explores A Place in the Sun through questions of cultural perception, the notion of the “unknown,” and the mechanisms of the exoticizing gaze, while also reflecting on broader geopolitical and artistic contexts. If you had to distill your pavilion into a single idea, what would it …

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Montenegro Pavilion at the Venice Biennale: An Interview with Curator Ana Simona

Describe your studio/work practice. My practice was for several years parallelly doing solo projects and working in a contemporary art gallery – Novembar Gallery in Belgrade where I worked as a curator and art director. In solo projects, I work mostly with artists whose practice I have followed for years, and with whom I have …

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Greek Pavilion at the Venice Biennale: An Interview with Curator Panos Giannikopoulos

Describe your studio/work practice. I am a curator and researcher based in Athens. My curatorial practice revolves around thematic cycles, each delving into diverse yet interconnected areas of inquiry. At the core of my exploration lies a fascination with the notion of the archive. This involves examining how archives shape our understanding of history, memory, …

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Marta Czyż & Оpen Group (Yuriy Biley, Pavlo Kovach, Anton Varga), Warszawa, Poland 2024, Photo by Piotr Czyż.

Polish Pavilion at the Venice Biennale: An Interview with Curator Marta Czyż

Describe your studio/work practice. My practice draws on archives and recent developments in art history to influence culture and social movements. I research the history of exhibitions in Poland and the profession of curator. In 2015 I published a book, together with Julia Wielgus “In the frame of the exhibition – interviews with curators” where …

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Czech Pavilion at the Venice Biennale: An Interview with Curator Hana Janečková

Describe your studio/work practice. I’m a curator,  feminist theorist and art historian. My curatorial project are often based on collaboration – I enjoy an exchange of ideas and close collaboration. I’m also interested in  a critical institutional practice, especially disability theories, in terms of what political demand we can make through a curatorial practice on …

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Pakui Hardware at The Lithuanian National Museum of Art

Artist: Pakui Hardware Title: Inflammation Exhibition Environment and Landscape Architects: Išora x Lozuraitytė studio (Petras Išora-Lozuraitis and Ona Lozuraitytė-Išorė) Curator: Valentinas Klimašauskas Project Coordinator: Evaldas Stankevičius Venue: The Lithuanian National Museum of Art Light Artist: Eugenijus Sabaliauskas Design: Vytautas Volbekas Translation: Alexandra Bondarev A scorched landscape emerges on the retina strained by twilight. On the …

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