Montenegro Pavilion at the Venice Biennale: An Interview with Curator Ana Simona

Describe your studio/work practice. My practice was for several years parallelly doing solo projects and working in a contemporary art gallery – Novembar Gallery in Belgrade where I worked as a curator and art director. In solo projects, I work mostly with artists whose practice I have followed for years, and with whom I have …

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Greek Pavilion at the Venice Biennale: An Interview with Curator Panos Giannikopoulos

Describe your studio/work practice. I am a curator and researcher based in Athens. My curatorial practice revolves around thematic cycles, each delving into diverse yet interconnected areas of inquiry. At the core of my exploration lies a fascination with the notion of the archive. This involves examining how archives shape our understanding of history, memory, …

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Edith Karlson. Photo: Alana Proosa / Estonian Centre for Contemporary Art

Estonian Pavilion at the Venice Biennale: An Interview with Artist Edith Karlson

Describe your studio/work practice. I’ve created a system for myself, where I need to be in the studio as much as possible. Physical contact with material is important to me. I need to experiment with material, to touch and play around with it. Sometimes it’s almost like a fight, where mostly I’m the loser. Not …

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Marta Czyż & Оpen Group (Yuriy Biley, Pavlo Kovach, Anton Varga), Warszawa, Poland 2024, Photo by Piotr Czyż.

Polish Pavilion at the Venice Biennale: An Interview with Curator Marta Czyż

Describe your studio/work practice. My practice draws on archives and recent developments in art history to influence culture and social movements. I research the history of exhibitions in Poland and the profession of curator. In 2015 I published a book, together with Julia Wielgus “In the frame of the exhibition – interviews with curators” where …

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Czech Pavilion at the Venice Biennale: An Interview with Curator Hana Janečková

Describe your studio/work practice. I’m a curator,  feminist theorist and art historian. My curatorial project are often based on collaboration – I enjoy an exchange of ideas and close collaboration. I’m also interested in  a critical institutional practice, especially disability theories, in terms of what political demand we can make through a curatorial practice on …

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Pakui Hardware at The Lithuanian National Museum of Art

Artist: Pakui Hardware Title: Inflammation Exhibition Environment and Landscape Architects: Išora x Lozuraitytė studio (Petras Išora-Lozuraitis and Ona Lozuraitytė-Išorė) Curator: Valentinas Klimašauskas Project Coordinator: Evaldas Stankevičius Venue: The Lithuanian National Museum of Art Light Artist: Eugenijus Sabaliauskas Design: Vytautas Volbekas Translation: Alexandra Bondarev A scorched landscape emerges on the retina strained by twilight. On the …

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