Artist: Mia Akrap Title: Stronger Than Bone Venue: Trotoar Gallery, Zagreb Curator: Gabriella Rebello Kolandra Photos: Damir Žižić Mia Akrap (Požega, 1995) draws on her own life as her primary material. The works presented here are new, produced for her first solo show at Trotoar Gallery, and engage with questions of relationality, trauma, and autobiography. …
This interview took place within the framework of the Unschool of Curating, held in Timișoara and Cluj, Romania, between 19 – 26 June, 2026, organized by Art Encounters Foundation and Cluj Cultural Center. This program, now in its 8th edition, is developed collaboratively by the two organizations to strengthen curatorial networks in Romania and internationally. …
An interview with Luca Cserhalmi, curator of the Hungarian Pavilion at the 61st Venice Biennale, on Pneuma Cosmic, slowness as resistance, the crisis of scientific worldviews, and the possibility of building intuitive relationships with the world through art. If you had to distill your pavilion into a single idea, what would it be—and what does …
Read moreAn interview with Luca Cserhalmi, curator of the Hungarian Pavilion
At the 61st Venice Biennale, the Polish Pavilion’s Liquid Tongues explores alternative forms of communication, collective listening, and coexistence across human and more-than-human worlds. In conversation with curators Ewa Chomicka and Jolanta Woszczenko, we discussed Deaf culture, underwater communication, geopolitical realities, and the political potential of attentiveness itself. Moving between activism and poetic immersion, the …
Read moreInterview with Ewa Chomicka and Jolanta Woszczenko, curators of the Polish Pavilion
Adelina Luft sees the first-ever Moldova Pavilion at the 61st Venice Biennale not simply as a national debut, but as a political and emotional act of resistance. In conversation with us, the curator reflects on Pavel Brăila’s On the Thousand and Second Night—an installation staged inside Venice’s Santa Veneranda chapel that confronts war, territorial violence, …
Read moreInterview with Adelina Luft, curator of the Moldova Pavilion
The Easttopics team spoke with Natalia Sielewicz, curator of the Estonian Pavilion at the Venice Biennale, featuring artist Merike Estna. The interview touches on the politics of waiting as an artistic form, the relationship between care and painting, the contradictions of Eastern European identity, and what it means to make art amid ongoing geopolitical and …
Read moreAn Interview with Natalia Sielewicz, curator of the Estonian Pavilion
“The mole is no longer a figure of childhood imagination, but an instrument of invisible soft power” — this year’s project at the Czechoslovak Pavilion interprets silence not as passivity, but as a form of political resistance. According to the artists, the Biennale is not only about representation, but also about negotiating how art can …
Read moreAn Interview with Peter Sit, curator of the Czech and Slovak Pavilion
This interview with the Albanian Pavilion’s curator, Małgorzata Ludwisiak, explores A Place in the Sun through questions of cultural perception, the notion of the “unknown,” and the mechanisms of the exoticizing gaze, while also reflecting on broader geopolitical and artistic contexts. If you had to distill your pavilion into a single idea, what would it …
Read moreAn Interview with Małgorzata Ludwisiak, curator of the Albanian Pavilion
Artist: Laura Põld Title: Beautiful Pulsating Web Curator: Lilian Hiob-Küttis Venue: Kahan Art Space, Vienna Photos: Manuel Carreon Lopez / Kunstdokumentation In her new textile and ceramic works at the Eva Kahan Foundation, Laura Põld continues her longstanding exploration of alternative modes of knowing. Moving beyond the dominant assumption that thought begins and ends with …
As the curator of the Slovenian Pavilion at the Venice Biennale, Nataša Petrešin-Bachelez approaches the exhibition not as a stage for representation, but as a space for resonance, care, and critical reflection. Through Soundtrack for an Invisible House by Nonument Group, she explores forgotten histories, fragile architectures, and the persistent search for dignity amid the …
Read moreAn Interview with Nataša Petrešin-Bachelez, Curator of the Slovenian Pavilion
Dubravka Lošić’s presentation at the Venice Biennale is more than just another national pavilion—it is a concentrated reflection on how beauty, trauma, and cultural position intersect. Her installation Compelled by Fright and Beauty reveals the tensions beneath the Mediterranean idyll, while the curatorial perspective probes how Central and Eastern European experience is read within the …
Read moreAn Interview with Branko Franceschi, curator of the Croatian Pavilion
Artists: Tereza Bartůňková, Veronika Homolová, Hedvika Hlaváčková, Vojtěch Hrubant, Eva Koťátková, Matouš Lipus, Eva Palčič, Klára Samcová, Dominik Styk Title: Labyrinth: Wandering Within Curator: Karla Dvořák Hlaváčková Venue: GHMP, Prague Photos: Jan Kolsky The labyrinth functions as a metaphor for human thought and the journey of life. It symbolises wandering, courage, transformation and the burden …
Artist: Marko TadićTitle: Funga RoboVenue: TROTOAR, ZagrebCurator: Martina Marić Rodrigues Exhibition text: Ana Devićphotos: Damir Žižić With his Funga Robo exhibition, Marko Tadić presents a cross-section of his recent works, in which he examines speculative visions of the city of the future from the perspective of artistic ecologies. The title, Funga Robo, refers to mushroom (fungal) …
At this year’s Venice Biennale, one pavilion stands out not only for its aesthetic language but for the questions it raises about our relationship to each other and to the natural world. Eglė Budvytytė’s work draws on ancient animist worldviews while quietly pushing back against the logics of contemporary capitalism. We spoke with the curator …
Read moreAn Interview with Louise O’Kelly, curator of the Lithuanian Pavilion
Artists: Magdaléna Roztočilová Title: Where the Body Won’t Fit Curator: Iva Mladičová Venue: Studio PRÁM, Prague Photos: Anna Pleslová The themes of identity, the expression of the plasticity of colours and shapes, and a creative approach to the originally conceived, fundamental morphological element of the sculptural body are the three principal sources that combine to …